An eclectic selection of Information & Book designs from the world of Film. Taking delight in the ordinary and delivering clean and vibrant pieces.

A growing collection of Beverage Packaging Design crafted for Film & TV. From nostalgic vintage beer to exhilarating energy drinks, each brief called for unique narrative integration, reflecting the film or show’s themes and aesthetic.

A variety of packaging designs from the world of household goods. From punchy and vibrant chocolate brands to first aid kit essentials.

Working through from concept to completion, each item was crafted with the target market at front and centre.

This work highlights an eclectic collection of custom lettering I've created for various films.

Embracing the hand crafted detail of sign writing through research and storytelling.

Last Night in Soho is a British psychological horror film directed by Edgar Wright.

Divided between two time periods, graphics switched between the swinging sixties and contemporary London.

I was brought on to support the core graphics team with a whirlwind of posters, signs and archives.

Production Designer: Marcus Rowland
Director: Edgar Wright
Starring: Thomas McKenzie, Anna Taylor-Joy, Matt Smith

The iconic horror franchise returns, Evil Dead Rise, written and directed by Lee Cronin. A contemporary feature involving a wide range of briefs, from designing furnishings like vintage lino to the postered layers of a teens room.

Prop graphics had a fun american horror spin on them and helped tell the little details of this story.

The Dig is a 2021 British drama directed by Simon Stone, based on the 2007 novel of the same name by John Preston, which reimagines the events of the 1939 excavation of Sutton Hoo.

Wealthy landowner Edith Pretty hires amateur archaeologist Basil Brown to investigate the mounds on her property in England. He and his team discover a ship from the Dark Ages while digging up a burial ground.

Production Designer: Maria Djurkovic
Director: Simon Stone
Starring: Carey Mulligan, Ralph Fiennes, Lily James, Johnny Flynn

A classic British miniseries based on the 1843 novella by Charles Dickens.

The three-part series was written by Steven Knight with Tom Hardy and Ridley Scott among the executive producers.

Working closely in a tight-nit art department our days were filled with the slightly darker re-imagining of ‘A Christmas Carol’, from sombre graveyards to the intimate correspondence between characters.

Varying levels of calligraphy were key in undertaking this project with Charis Theobald (lead Designer), we shared the task of managing character hand-doubles and the meticulous paper trail of Scrooge and Cratchit.

Graphic elements were crafted on an array of materials from gold bank safes to slate, wood and stone.

Production Designer: Sonja Klaus
Director: Nick Murphy
Starring: Guy Pearce, Joe Alwyn, Stephen Graham, Andy Serkis, Vinette Robinson

A series of props created for the fictitious character Henry Rolland. Inspired by a Graphics for Film making course.

Henry is an aspiring magician growing up in small town America during the late 1950s. Just shy of turning thirteen he is earnest and driven to learn magic from his idol, “Jim Jacobs”.

From the hard worn book to the treasured leather playing card holder each item was researched and designed to tell the story of a aspiring magician through the language of his idol.

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Portrait Photographer: Joshua Carlson, Florida

Work focused on adapting INSEAD’s established brand across short and long-form reports, vibrant infographics, high-end print collateral and seasonal campaign work.

Creative Agency: Perfect Day

A recent project motivated by a course completed with the Calligraphy tutor Gaynor Goffe.

Drawing from the design period of 1910 I set out to create a series of props that held a personal dexterity to them. Moulded around the tone of voice at the time, an array of notes and clippings were crafted to demonstrate what was held dear to the owner.

With a new range of Pesto’s coming out, I was brought on with Perfect Day to lead the ideation phase and branding in this Packaging Design brief alongside refreshing established ranges. Furthermore, I contributed to the Art Direction of the video content following the release.

Working closely with Belazu, the design process was a deep dive into tasting, research and finding that unique note in each pesto to create a range that felt distinct and uniquely Belazu.

This process then informed a series of guidelines for the clients internal design team to appropriate for the rollout of the project and overall range.

Creative Agency: Perfect Day
Belazu Graphic Designer: José Laborda Ubiri
Belazu Innovation Chef: Henry Russell
Photography: Belazu

A simple Microsite created for the bespoke furniture designer, Jonathan Baring. Working with 100s of images we wanted to craft something simple and elegant that let the work speak for itself. From tightly cropped detail shots on the landing page to functional product pages of Jonathan’s work.

Creative Agency: Perfect Day

In a nutshell “Drive Digital” was a brand created for a global Google event which aims to inspire, develop and target high potential CMO’s. 

As the lead designer on the project, I worked alongside a team of Phantom’s right from the early naming process through to developing the brand, guidelines and preceding event chapters. 

With a focus on "digital transformation" we crafted the brand from experimentation and play, custom patterns were made and a vibrant gradient was used throughout to ignite pops of interest and delight. 

Key collateral included custom direct mail, name badges, workbooks, signage as well as ongoing support with the event team responsible in each chosen country. 

Creative Agency: Phantom

Phantom Agency’s parties were legendary and in this brief I was asked to create the ‘Phortune’ card for the custom-built Gashapon (toy vending machine) at the event.

The combination of influences was a fun task, on one hand we had inspiration from retro Japanese design and on the other mysterious fortune-telling characters from the likes of Zoltar. This lead us to surprise our guests with less ordinary fortunes for the night.

Creative Agency: Phantom
Copywriter: Lisa Berenson
Neon animation “Fantomu": Vita Vilcina

Working alongside Curative’s talented copywriter’s I was brought on to develop the art direction and first three themes for this year long campaign.

Victoria University approached us to create a well-being initiative that emphasised the importance of developing a whole person at university. The overall goal is to debunk myths relating to academic success and help students flourish.

Each theme’s creative, i.e connect or optimising time complimented the partnering handout which through its playful and honest tone pushed a shift in thinking.

Creative Agency: Curative

A self-directed project where I set out to craft and reimagine a full typeface from the few letters of the iconic incense label Auroshikha.

A challenge that led me to appreciate and agonise every letters curve. Enabling me to understand the symmetry of typography at a much more macro level.

This was part of a paper tutored by Jonty Valentine.